The Mass
2016
monocrystalline solar panels, epoxy clay
65 x 65 x 2 in. | 165 x 165 x 5 cm.
University of Arkansas, Fine Arts Gallery, Fayetteville, AK
The Mass, detail
The Mass, detail
The Deep Field
2014
Hubble Ultra Deep Field Image, ink on vinyl, telescopic banner stand
80 x 80 in. | 203 x 203 cm.
Parc Saint Leger Centre d’art Contemporain, Nevers, France
The Deep Field, detail
The Folklore
2013
wood, stainless steel, clay, dirt, cement, papier-mâché, lights, resin, eye lashes, wig, makeup, fabric, rubber, necklaces, paint
96 x 82 x 40 in. | 2.5 x 2 x 1 m.
Favorite Goods, Los Angeles, LA
The Folklore, detail
The Folklore, detail
For Gliese 667c
2014
ink, paper, four stones
22 x 28 x 2 in. | 56 x 71 x 5 cm.
Interstate Projects, Brooklyn, New York, USA
landscape in a room with twenty seven windows
2011
wood, clay, cement, sand, dirt, cardboard, glue, fabric, steel, stryofoam, plaster, branch, wig, necklaces
65 x 22 x 9 ft. | 20 x 6.7 x 2.75 m.
Shenkar College, Worth Gallery, Tel Aviv, Israel
landscape in a room with twenty seven windows, detail
The constellation of wood
2010
digital print from an installation which included:
50 acres of land purchased in Abitibi, Quebec, Canada, framed inkjet prints, upright piano, 5000 year old Campo del Cielo meteorite, petrified wood from Arizona, United States, plastic spectral prism from China, 1970’s hand knotted rug from Qatar, bags of dirt, cans of mussels, wood, paper mache, package of tissues, velvet, medicated ointment, Nivea skin lotion, bottles of orange juice and water
The Quebec City Biennial, Quebec City, Quebec, Canada
The Republic
2011
glass and aluminum cabinet, muslin, dyed cotton, stainless steel, cut ponytail from a Mid-Western girl, Gorgonian coral from the Pacific Ocean, seven painted 5000 year old Campo del Cielo meteorites from Argentina
48 x 72 x 3 in. | 122 x 183 x 8 cm.
Horton Gallery, New York, New York
The Republic, detail
she hangs above to spit and sing
2010
wood, paint, gold leaf, aluminum, paper, conch shell, magazine cutout, resin, plaster, light, cord
83 x 64 x 22 in. | 211 x 163 x 56 cm.
Horton Gallery, New York, New York
she hangs above to spit and sing, detail
she hangs above to spit and sing, detail
the magi
2010
wood, paint, resin, shellac, metal, clay, plastic, fabric, leather, petrified wood, meteorite, Sony Minidisc player, pearls, gold plated brass, paper
87 x 132 x 24 in. | 221 x 335 x 61 cm.
Horton Gallery, New York, New York
the magi, detail
the magi, detail
Young Saints and Garden,
2009
clay, papier-mâché, plaster, walnut veneer, stainless steel, marine resin, automotive paint, 1984 Ocean Pacific windbreaker, 2009 Anthropologie blouse, wig, waterproof pouch, men's imitation gold chain, women's imitation gold chain, chainsaw cut kit, 2004 Nokia cell phone, 2004 iPod
39 x 59 x 14 in | 100 x 150 x 35 cm
Horton Gallery, New York, New York
Sky and Ground and Oprah
2009
fabric, archival digital print, UV medium, clay, glue, paint, pins
43 x 18 in. | 109 x 46 cm.
The Icehouse, Phoenix, Arizona
Sky and Ground and Oprah, detail
certain structures and predetermined sequences
2008
hand-knotted Persian wool rug circa 1968, cardboard, tar, wig, pine tree branches, poplar wood, burlap, paint, wax, glitter
17 x 14 x 5 ft. | 5 x 4 x 1.5 m.
Gentili Apri, Berlin, Germany
Certain principles of light and solidarity between forms
2008
Folding magician’s table, wooden representation of the book The Nature of Light and Color in the Open Air, hair braid cutout from a 1987 wall calendar titled: Andrew Wyeth: Helga, fabric from a vintage Ocean Pacific jacket, reproduction leather saxophone strap, 5000 year old Del Campo meteorite, plant sculpture, 2008 Maglite flashlight
48 x 36 x 22 in. | 122 x 91 x 56 cm.
Project Gentili, Prato, Italy
the wake the saint the sound the branch
2008
vitrine, pine, papier-mâché, two 1986 Ocean Pacific wind breaker jackets, gold leaf, balsa wood, conch shell, dry wall, Styrofoam, plastic, clay, glue, shellac, burlap, tape, cork, cedar
96 x 72 x 30 in. | 243 x 182 x 76 cm.
Project Gentii, Prato, Italy
the wake the saint the sound the branch, detail
The Mariner and Sun
2007
hand-made representations of modernist furniture, plaster harpoon, 1985 Ocean Pacific windbreaker, wooden scaffolding, sycamore, marine epoxy, mirage paint
7 x 6 x 3 ft. | 215 x 182 x 90 cm.
first exhibited at NADA in Miami, Florida, USA
photographed in Richmond, Virginia, USA
The Mariner and Sun, detail
Teignmouth Electron
1968 - current
40 foot, modified Piver Victress Class trimaran sailed by Donald Crowhurst in the 1968-1969 Golden Globe Race, purchased in 2007.
Cayman Brac, Cayman Islands
Teignmouth Electron, detail
Teignmouth Electron, detail
The Possibility of Men and the River Shallows
2007
wood, foam board, paint, 800 gallon acrylic water tank, 10 HP F/X fan, 1987 J1 Super Jumbo Promax boom box, fragments from the Teignmouth Electron, brass, chainsaw cut kit, flashlight, chest freezer, fog machine, house plants, grow lights, water pumps, misting nozzles, industrial dehumidifier, carpet, one ton of clay, 5000 watt sound system, 12 volume reference library, VFD drive, 2 iPods, 1983 Ocean Pacific wind breaker, gold leafed papier-mâché objects, dismantled papier-mâché river raft, papier-mâché: helm, anchor, cemetery stones and barrels, hand-made replica clothes and death masks, Hall and Oates’ One on One (1982) and Albert Ayler’s Love Cry (1967)
DiverseWorks Art Space, Houston, Texas, USA
Grand Arts, Kansas City, Missouri, USA in 2006 as:
Riverboat Lovesongs for the Ghost Whale Regatta
The Possibility of Men and the River Shallows, detail
The Possibility of Men and the River Shallows, detail
on the mountain cloud wave
2004
porcelain, floor mat, tile board, gold chain, glitter, fluorescent light, white extension cord, place mats, sliver automotive pin striping, sheet rock
4 x 8 x 2 ft. | 121 x 240 x 60 cm.
Fosdick-Nelson Gallery, New York State College of Ceramics, Alfred, New York, USA